Metta likes...Shadow

WarHorse, Oliver Theatre 2007, photography Simon Annand 

Shadows are great - here at Metta we love a bit of moody and dramatic lighting  - and also the (in our opinions) under-exploited medium of shadow puppetry too. Will is always fond of dark lighting (?!) - or perhaps more accurately using shadow/being very directional in his lighting. But the queen of shadowy lighting (who is actually known in the business as 'The queen of darkness') is Paule Constable whose brilliance/darkness can currently be seen in lots of shows (War Horse in town, Danton's Death at the National, the Blasted that just closed at the Lyric, Hammersmith). In a similar vein I like to think of Will as the prince of darkness - not in an evil way! (Also he looks a bit like Paule).

Metta likes... Detail

I love seeing really close attention to detail in a production.

Peter Gill

I've just seen Over Gardens Out by Peter Gill Riverside Studios, directed by Sam Brown, and it's a production that demonstrates what I like just perfectly. Sam and his designer, Annemarie Woods, have paid attention to the detail both in the visual world they are showing us - Annemarie's costumes and set were wonderfully in-period, managing to locate the production in time and place perfectly and yet in a beautifully simple and uncluttered way - and also into the action as well.